View more of Jaclyn's work here
In Japanese culture, the landscape is often surrounded by elaborate protective structures, made from cloth, straw and wooden beams. These designs are thoughtfully and meticulously put in place. Trees are often wrapped in komomaki, a traditional straw wrapping meant to keep out pests, or found under the umbrella of a yukitsuri, to keep heavy snow from breaking their branches. The desire to carefully control and preserve the landscape is significant to the Japanese aesthetic. This way of thinking, brought up the ways in which different cultures, and individuals, place significance on particular objects and philosophies. Much like an archeologist, I began to collect and catalog my own artifacts as a means for preservation. By approaching personal subject matter through a systematic perspective, I’ve been able to decontextualize and deconstruct the significance of each piece. The images are a reference to an anthropological perspective, so that they may, in some sense, become didactic regarding cultural and social practices. Through still life’s, the images mimic the way in which archival information is photographed, so that the subject may accurately represent “reality”.
In Japanese culture, the landscape is often surrounded by elaborate protective structures, made from cloth, straw and wooden beams. These designs are thoughtfully and meticulously put in place. Trees are often wrapped in komomaki, a traditional straw wrapping meant to keep out pests, or found under the umbrella of a yukitsuri, to keep heavy snow from breaking their branches. The desire to carefully control and preserve the landscape is significant to the Japanese aesthetic. This way of thinking, brought up the ways in which different cultures, and individuals, place significance on particular objects and philosophies. Much like an archeologist, I began to collect and catalog my own artifacts as a means for preservation. By approaching personal subject matter through a systematic perspective, I’ve been able to decontextualize and deconstruct the significance of each piece. The images are a reference to an anthropological perspective, so that they may, in some sense, become didactic regarding cultural and social practices. Through still life’s, the images mimic the way in which archival information is photographed, so that the subject may accurately represent “reality”.
No comments:
Post a Comment