Showing posts with label Power. Show all posts
Showing posts with label Power. Show all posts

Monday, January 25, 2016

Ray Ewing


Ray Ewing is a photographer and artist from the island of Martha's Vineyard. Ray received a BFA in photography from Maine College of Art in Portland in 2012, he is currently completing an MFA in studio art at The University of New Mexico in Albuquerque. Ray has worked as a photojournalist, commercial photographer, educator and an exhibiting artist. As a photojournalist, Ray has received multiple awards for his work with the Martha's Vineyard Gazette. As an artist, Ray has been a part of multiple group exhibitions as well as a solo show entitled Visual Stimulus.


Artist Statement: Realistic Worlds

Realistic Worlds is an exploration of the human need to design our reality to satisfy our desires. I study this general human trait by describing spaces which adhere to a specifically American definition of fantasy as being guided by self-evident power and excess. The structures of the tourism and entertainment industries are houses of worship for the American religion of escapism. We use a thin, glossy veneer of designed reality to engage in obviously absurd, yet culturally accepted sanctuaries of make-believe.











Monday, March 17, 2014

Jamie Carayiannis



Jamie Carayiannis is a fine art photographer from Northern Virginia. Primarily interested in the landscape, her work addresses the complex relationships that humans develop with their environments. More recently she has been interested in exploring her own energy use and its connection to coal extraction processes. Jamie graduated from James Madison University with a BFA in Studio Art and minor in Spanish and earned her MFA in Photography from the Savannah College of Art & Design. She currently resides in Northern Virginia and is an Adjunct Photography Instructor at the Art Institute of Washington - Dulles.


Power
Statement

The photographic body of work, Power, is an examination of energy use. Specifically, Power explores coal and the industry’s use of mountaintop removal mining processes. This series of photographs contextualizes my own energy consumption and considers how communities in the Southwest region of my home state of Virginia have been negatively affected. Further, Power addresses concerns regarding the photograph’s ability to serve as a viable method of scientific measurement while examining the relationship between performance and photographic documentation. I have conducted and documented a series of small-scale experiments and performances that aim to demonstrate the magnitude of mountaintop removal mining’s impact. In an effort to provide the viewer with a greater sense of place, Power also includes a series of landscape images of the affected region. Together, the two sets of images speak to and inform one another. I am simultaneously critical of and complicit in the issue of energy consumption.